Legendary German krautrock pioneers, faUSt come to Baltimore! On their first three albums in the early 1970s, faUSt inhabited the vast field from improvisation to bricolage to rock'n'roll with the ease of rogues and the determination of declared sonic renegades. They were big in Britain before the notion of Krautrock had made the rounds in Germany. One can still feel the breathing of this music, the bubbling of this primal soup, in current faUSt pieces, in the stone-age thudding of "Fish", which faUSt anticipated in 1972 on "Mamie Is Blue". But you will also be able to distinguish the as-yet- unheard if you allow yourself enough audio time. The sound of a squeaky door from the house of Jean-Hervé Péron, for which the musician has the same kind of enthusiasm others might reserve for a brilliant guitar riff ("gripping, touching"); or the minute-long fadeout of "Fish", which Zappi Diermaier is so excited about. The only plan is for the band to take off without a plan. "We let the music play through us," says Jean-Hervé Péron. Everything else is up to the listener, to make his own film. Jean-Hervé Péron has a little tip for us: Listen to the fish.
"As a jumbled response to unfolding chaos on Planet Earth, Fresh Air delivers a welcome jolt of energy." Wire
"Raue Schönheit, die sich keinem Zeitgeist beugt." Musikexpress
About Bonnie Jones:
Bonnie Jones is a Korean-American improvising musician, poet, and performer working with electronic sound and text. She performs solo and in numerous collaborative music, film, and visual art projects.
Bonnie’s work explores the fluidity and function of electronic noise (field recordings, circuit bending) and text (poetry, found, spoken, visual). Her art seeks opportunities within different mediums to expose the fluid nature of individual identity, history, form, and meaning.
SAT JUL 21 | 8PM | $25, $22mbrs (+$3 at the door)