NYC’s James Reeder is known for his small, atmospheric photographs of delicately constructed model environments. Though related in concept to photographers like Thomas Demand, whose images of constructed spaces are mistaken for the real thing, Reeder’s images are distorted and the models clearly handmade. Depicting blurry cityscapes or the aftermath of epic natural events, they feel simultaneously archaic and timeless, reducing colossal and long-enduring structures to fragile and transitory symbols of utopia.